The SpACE-Net symposium was a hive of activity across numerous fields, with a diverse range of artists, researchers and techies bringing together a spectrum of ideas surrounding space and sound. A few of the projects that I was made aware of through various encounters:

COMA "promotes participation in contemporary music for musicians of all abilities". Related to the Emotional Orchestra performance at the Tate, and now the nascent all-female Madarms group.

Louise Wilson's work at Orford Ness bears a definite resonance with the photo/sound documentary gathered by Julia and me at Teufelsberg.

Study In Keith (Quicktime mov, begins with extended silence) is the first truly compelling example of live coding that I've ever seen. Stunning. By Andrew Sorenson in his Impromptu environment, inspired by the work of Keith Jarrett.

As part of an effort to gather together material on all of the various things that I've been involved with over the past couple of years, I've expanded or created a handful of new project pages:

• NOY! Digital, a commission from Tom Moore of Destroy Hit Factory
• score treatments created for 2006's They Did magazine
• Ad Hoc and related collaborations
• Map of a Micro-Community, with the text that originally accompanied it in the August 2007 WTCD.